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毛主席在给陈毅同志谈诗的一封信中指出:“诗要用形象思维,不能如散文那样直说,所以比、兴两法是不能不用的。赋也可以用,……然其中亦有比、兴。”毛主席的这段话,精辟地阐明了运用形象思维和赋、比、兴三种表现手法进行诗歌戗作的艺术规律。毛主席的诗词正是运用这一规律进行创作的光辉典范。下面,试就毛主席诗词中的比、兴和赋的问题谈点粗浅体会。“比者,以彼物比此物也。”也就是打比方,即根据类似的联想和对事物关系的认识,选取他事物来描绘本事物的内在特征。这是我国民歌和古典诗歌创作的传统表现手法之一。《文心雕龙》“比、兴赞语:‘诗人比、兴,触物圆览,物虽胡越,合则肝胆’。”“圆览”,就是观察
In a letter to Comrade Chen Yi on poetry, Chairman Mao pointed out: “Poetics must use imagery thinking, and they cannot be said as straight as an essay. Therefore, the two methods of ratio and prosperity cannot be used. Fu can also be used.... There is comparison and happiness.” Chairman Mao’s remarks meticulously illustrate the use of image thinking and the three artistic methods of Fu, Bi, and Xing to carry out the artistic laws of poetry. Chairman Mao’s poems are a glorious example of using this law to create. In the following, try to talk about the problems of comparison, revival, and poetry in Chairman Mao’s poetry. ”Compared to the others, the thing is more than this.“ That is, according to similar associations and the understanding of the relationship between things, choose his things to describe the inner characteristics of the subject. This is one of the traditional expressions of my folk songs and classical poetry creation. ”Wen Xin Diao Long“ ”By, Xing Zang: ’The poet is more prosperous and happier than the poet’s, and the object is Huyue, and the combination is Hepatobiliary’.“ The ”round view" is the observation.