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文艺美学是20世纪70-80年代中国学者提出的一个具有原创性的新学科。1976年台湾学者王梦鸥出版了《文艺美学》,仅其名称就有开创之功。1980年大陆学者胡经之提出建立文艺美学学科,并在之后的论著中对文艺美学的对象、性质、方法等作了初步界定。20多年来,大陆学者出版了文艺美学著作近20部,论文近百篇,文艺美学作为一个新学科,虽有争论,但基本形成,学科地位得到确认。审美活动和文学艺术不断发展变化,审美和艺术可以有新的方式、形式、形态,变换无穷。然而,我坚信审美不会消亡、艺术不会消亡。由此,对审美和艺术的把握和思考不会消失,文艺学、关学、文艺美学也会存在下去,并且将随社会现实、审美活动、文学艺术的不断发展变化而发展变化。
Literary aesthetics is an original new discipline proposed by Chinese scholars in the 1970s and 1980s. In 1976, Wang Wenou, a scholar from Taiwan, published “Aesthetics of Literature and Art”. Only its name has its own merits. In 1980, the mainland scholar Hu Jingzhi proposed the establishment of aesthetics of literature and art, and made a preliminary definition of the object, nature and method of aesthetics of literature and art in his later works. For more than 20 years, mainland scholars have published nearly 20 books on literary aesthetics and aesthetics, nearly a hundred papers and literary aesthetics as a new discipline. Although controversial, they have basically taken shape and their academic status has been confirmed. Aesthetic activities and literary arts continue to evolve and change. Aesthetics and art can have new ways, forms, forms and transformations. However, I firmly believe that aesthetic will not die out, art will not die out. As a result, the appreciation and appreciation of aesthetics and art will not disappear. Literary studies, Guan Studies and aesthetics of literature and art will also exist and will change with the continuous development and changes of social reality, aesthetic activities and literature and art.