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一、程至的的艺术生平程至的(1922—2004),笔名白勺,浙江温州人。他一生从事版画创作与艺术研究,是一位成就卓著的版画家和美术理论家。程至的早年的艺术履历经历了从中国画到木刻版画的转变。1941年,师从彭友善学习中国画,翌年在江西《前线日报》发表《绘画的线与光》一文。1943年,在邵克萍、杨克扬、野夫等人的指导下开始学习木刻。他的木刻以反映现实生活、揭露旧社会黑暗为主要内容,早期作品有《市虎》《希望》《寒》《萧条》和《买米归来》等。1947年,程至的与徐帆、曾景初、黄
First, Cheng Cheng’s artistic journey to the (1922-2004), pen name, Wenzhou, Zhejiang. Engaged in printmaking and art studies throughout his life, he is an accomplished printmaker and art theorist. The artistic resume of Chengzhi’s early years has undergone a change from Chinese painting to woodcut printmaking. In 1941, he studied Chinese painting with Peng Youshan and published the article “Lines and Light of Painting” in Jiangxi Frontline Daily the following year. In 1943, under the guidance of Shao Keping, Yang Keyang, Ye Fu and others began to learn woodcut. His woodcut to reflect the real life, to expose the darkness of the old society as the main content, early works are “city tiger”, “hope”, “cold”, “depression” and “buy rice back” and so on. In 1947, Cheng and Xu Fan, Zeng Jingchu, Huang