特写与全景作为摄像技术最普遍应用的两个手段,在镜头切换中具有着本质且明显的不同,各自有其特别的运用技巧和表达才质。但是,特写与全景之间也有着潜在的同一性,看似矛盾,却有着内在的和谐元素。本论文将从特写的特别性和同一性进行具有着科学思辨的论述,希望能对摄像技术中的特写与全景的相辅相成的运用有所裨益。 Close-up and panorama as the two most commonly used camera technology means, in the lens switch with the essential and obvious differences, each with its own special skills and expression of talent. However, there are also potential identities between close-ups and panoramas, seemingly contradictory, but inherently harmonious elements. This essay will carry on scientific argumentation from the peculiarities and identities of the close-ups in the hope of being able to benefit the close-up and panoramic use of camera technology.