诗与歌在古代是有分别的。《说文解字》中记到:诗,志也。歌,咏也,从欠,哥声。《尚书.尧典》亦提到:诗言志,歌永言,声依永,律和声,八音克谐,无相夺伦。因此,诗与歌,声与律,其实是紧密相连,密不可分的。因而中国古代的诗歌是可以吟颂的,大多数诗歌都可以配乐演唱。王士禛身为清一代宗师,家学渊源深厚,自身有着丰富的文化底蕴,一生创作了大量诗歌。其诗歌风格多变,内容丰富。诗歌能传情,因而其创作,包括他后期所推崇的诗歌,本身就体现出清灵的音乐美。《唐贤三昧集》作为王士禛晚年所辑的唐诗选集,体现了他对盛唐之音的理解。 There are differences between ancient poetry and songs. “Explain Word” in mind: Poetry, Chi also. Song, Wing also, owe, brother sound. “Shang Shu. Yaodian” also mentioned: poetry words and words, song Yong Yan, sound according to Wing, law harmony, octave harmony, no phase of the death. Therefore, poetry and song, sound and law are in fact closely linked and inseparable. Therefore, ancient Chinese poems can be chanting, most of the poetry can be music concert. As a master of the Qing dynasty, Wang Shizhen has profound personal origins and rich cultural connotations, creating a large number of poems throughout her life. Its poetry style is varied and rich in content. Poetry can pass on emotions, so its creation, including the poems he respected in the later period, itself reflects the musical beauty of the Qing Dynasty. As a collection of Tang poems edited by Wang Shizhen in his later years, Tang Yin Samadhi embodies his understanding of the sound of the Tang Dynasty.