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在人体素描中,和各种造型因素相比,运动有着特别重要的意义.如果说体积的研究和表现是人们为了突破平面的限制而满足于创造三度空间幻觉的心理补偿,而比例无疑是在很大程度上反映了物象的造型特征的话,那末运动的表现则是赋予对象以生命和情感的一个关键因素。除抽象艺术以外,具象艺术的所有大师们无不把人物的运动的表现作为他们形成艺术语言的重要手段。翻开一部美术史,我们可以看到不表现体积、把物象全部画成平面的绘画,但我们找不到一件不表现运动的绘画或雕刻作品。早在旧石器时代,人类的先民就在洞窟绘画及众多的岩画中留下了精彩的文化遗迹。这些表现野牛、鹿、以及人类狩猎祭祀活动的绘画中几乎全是平面的形象,但由于人物和兽类的动作刻画得十分传神,仍使我们今天受到了远古年代生活气氛的强烈感染。美
In human sketches, movement is of particular importance in comparison with the various styling factors.If the volume of research and performance is the psychological compensation that people are content to create illusion of three dimensions in order to break the limitation of the plane, the proportion is undoubtedly To a large extent reflect the stylistic features of the object, then the performance of the movement is to give the object a key factor in life and emotion. Apart from abstract art, all the masters of figurative art all take the performance of the movement of characters as an important means by which they form an artistic language. Open a history of art, we can see the painting does not show the volume, the entire picture as a flat painting, but we can not find a movement does not show the painting or sculpture works. As early as the Paleolithic era, human ancestors left wonderful cultural relics in cave paintings and numerous rock paintings. These paintings, which show bison, deer, and human hunting and sacrificial activities, are almost all flat images. However, because of the vivid portrayal of figures and beasts, we are today strongly infected by the atmosphere of ancient times. nice