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中国当代艺术的发展至上世纪70年代末如今已经走过了30多年的历程。由最初对西方已经历过的现代艺术流派创作方式与形式语言的“拿来主义”过渡到了如今从中国现实中获得灵感确立中国属性,这一转变既有改革开放后国家对文化多元发展支持的原因,也是信息爆炸时代的必然结果——跟西方直接接触对话的机会愈加频繁,信息资源共享。然而在这看似形势一片大好的光景下,中国当代艺术的发展也面临着自身内部理论体系的完善和所处社会环境下功能、意义以及民众接受度等诸多问题。
The development of Chinese contemporary art by the late 1970s has now gone through more than 30 years of history. From the initial transition to the “acquisitionism” of the creative and formal languages of the modern art genres the West has experienced, the transition from the current inspiration of the Chinese reality to the establishment of Chinese property is not only the result of the diversified development of the nation after the reform and opening up The reason for the support is also the inevitable result of the era of information explosion - the opportunities for direct contact with the West are more frequent and the information resources are shared. However, under the situation that this seems like an excellent situation, the development of Chinese contemporary art is also faced with many problems such as the perfection of its own internal theoretical system and the function, significance and acceptance of the general public in its social environment.