认识铁凝,当然是从读她的成名作《哦,香雪》和稍后的《没有纽扣的红衬衫》开始的。《哦,香雪》的清纯和浓郁的抒情味,是新时期小说中少见的。读之,犹如喝了一口清洌的泉水,沁人心脾,让人甜到心里头。《没有纽扣的红衬衫》刻画的那位女中学生形象也是新时期文学画廊里少见的。但读这些作品,我想像中的铁凝仍然是一位清纯典雅的小姑娘。在84年85年之交的中国作协四大上,终于见到了铁凝,同我想像中的铁凝一致,清纯、典雅,颇有点矜持。在会场上,或在餐厅里,偶尔见到,颔首笑笑而己,只是认识了,未及细谈。88年,她的长篇小说处女作《玫瑰门》先在作家 Know Tie Ning, of course, from reading her fame “Oh, Hong Xue” and later “no button red shirt” began. “Oh, Hong Xue” pure and rich lyric flavor, is rare in the new era novels. Read it, as if to drink a clear spring water, refreshing, sweet to my heart. The image of the girl secondary school student who portrayed the “red shirt without a button” is also rare in the new era literary galleries. However, reading these works, I imagine the iron condensate is still a pure and elegant girl. At the turn of the 85th year of the 84th Chinese Writers’ Association, he finally met Tie Ning, in line with what I imagined Tie Ning, pure and elegant, and quite reserved. In the venue, or in the restaurant, occasionally to see, head first smile, just know, did not elaborate. 88 years, her novel debut “Rose Gate” first in the writer