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抽象水墨发展至今经历了形式探索、语言实验和文化关注等几个阶段,包含着西方抽象艺术语言与东方文化语言、传统语境与当代语境的天然基因,在继承传统水墨的表现性因素和意象精神的同时又创造出超越现实视觉的抽象图式语言,与当代文化建立更为深刻的内在联系并从中寻找水墨的发展方向。抽象水墨的美学传承二十世纪以来对于水墨画创作的变革在很长一段时期内偏向于强调描绘现实的能力,这种变革始于五四新文化运动,建国后在徐蒋体系“新写实水墨”的造型
The development of abstract ink and wash has undergone several stages of formal exploration, linguistic experimentation and cultural concern so far. It contains the natural genes of Western abstract art language, oriental culture language, traditional context and contemporary context, inheriting the expressive factors of traditional ink painting and Imagery spirit at the same time, it creates an abstract schema language that surpasses the realistic vision, establishes a more profound internal connection with contemporary culture and looks for the development direction of ink and wash. The aesthetics inheritance of abstract ink and wash In the 20th century, the change of ink painting creation in a long period of time tends to emphasize the ability to depict reality. This change started from the May Fourth New Culture Movement. After the founding of the People’s Republic of China, "Shape