弗吉尼亚·伍尔夫的主要作品均表现出对现代社会人际关系危机的关注和忧虑,表达了作家对实现人与人“联结”的向往。作为传统的叛逆者,伍尔夫在生活和艺术两方面均存在不可调和的内心矛盾:一面反对传统维多利亚社会的庸俗、虚伪,一面又被其深深吸引;一面坚持采用私人化的叙事手法,一面却无力解决这一手法与超越个人的“联结”主题的矛盾。为化解这些内心矛盾,伍尔夫塑造了“女主人”和“女艺术家”这两组形象,两者生活方式迥异,但对“联结”的追求却并无不同,而后者对前者从误解到理解的过程,亦部分反映了作家自己的心路历程。 The main works of Virginia Woolf all show the concern and anxiety about the crisis of interpersonal relations in modern society, expressing the author’s longing for the realization of “connection” between people and people. As a traditional rebel, Woolf has an irreconcilable inner contradiction in his life and art: one is opposed to the vulgarity and hypocrisy of traditional Victorian society, and is deeply attracted by it. While insisting on using the private narrative technique, One side, however, is unable to solve the contradiction between this approach and the one that transcends one’s “connection”. In order to resolve these inner contradictions, Woolf created the images of “the hostess” and “the female artist.” Both of them have different lifestyles, but they are no different from the pursuit of “connection” The former part of the process from misunderstanding to understanding, but also partly reflects the author’s own mentality.