论文部分内容阅读
自商周以来,“铙”作为一种青铜乐器一直沿袭到东汉时期,其形制、大小、功用和历史地位等发生了很大变化。商周时期的青铜铙基本为3个或5个一组的编组的形式;到了西汉初年,经考古发现,南越王墓出土了以8件一组的素面铜铙;东汉时期,“铙”被运用到鼓吹乐和百戏乐舞之中,不再以编组的形式出现,而是以单个乐器演奏与其他吹管乐器等合奏。从形制和演奏上看,铙逐渐由大到小,由编组到单一,故而,也就造成了其历史地位和社会功用的不同。
Since the Shang and Zhou dynasties, “铙” as a bronze musical instrument has been followed in the Eastern Han Dynasty, and its shape, size, function and historical status have undergone great changes. In the early years of the Western Han Dynasty, archaeological findings revealed that the Nanyue tomb unearthed a group of 8 plain bronze ploys unearthed; the Eastern Han Dynasty, “” 铙 "Is applied to the drums of music and dance, is no longer in the form of a group, but with a single instrument and other wind instruments and other ensembles. From the perspective of shape and performance, 铙 gradually from small to large, from the group to a single, therefore, also created its historical status and social function of the different.