无论承认与否,戏曲在今天已经渐渐显出衰老的迹象,曾经庞大的观众群逐步消解,青年中喜爱乃至愿意接受戏曲的人也凤毛麟角,十分难得。作为我们这些在孤独寂寞中耕耘的戏曲人,既心酸不忍,又意气难平,戏曲真的失去了生命力了吗? 这个问题,在我1996年11月参加基训的受伤右腿跟腱断裂之前,并没有思考过。在养伤期间因为担心不能回到徽剧舞台上去,我十分焦躁,焦躁过后,沉静下 Whether admitted or not, opera has gradually shown signs of aging today. Once a large audience has been gradually dissolved, so are young people who are even willing to accept opera. They are very rare. As those of us who have cultivated loneliness in loneliness, are we too sad and mean enough that the drama really lost its vitality? This question, before I participated in the injury to the injured right leg and Achilles tendon in November 1996, , Did not think too. During the recuperation because of fear can not be returned to the Hui stage, I was very restless, anxious after the quiet