陈孝信(美术理论家):他在思想内涵和精神内涵上追求的实际是一种普遍人文的真实性、深刻性和一种朴实的价值观。这些肖像关注点在于底层的一些小人物,它不是一种宏大叙事,给这个时代提供了一个无可替代的一个社会学的标本。它还是传统意义上的物我两忘。用平视的角度,这种真实的还原,现象学的还原,不加调试,不拔高,也不贬低,这样一种艺术家的一种正感我觉得体现得很明显。 Chen Xiaoxin (art theorist): His pursuit of ideological content and spiritual connotation is actually a universal truth, profoundness and simple values ​​of humanity. The focus of these portraits is on the grassroots, which is not a grand narrative, but provides an irreplaceable specimen of sociology for this era. It is still the traditional thing I forgot. In a horizonal perspective, this true reduction, reduction of phenomenology, without debugging, persistency, and demeaning, I feel as if one of the artists’ positive feelings are evident.