在上世纪90年代初,从浙江美术学院毕业以后的若干年里,我一直在以重彩形式创作自己的作品。内容也限定在自己熟悉的“江南水乡”这一主题。当时,我认为以重彩形式来描绘自己所熟知的江南,在古人的文本中难于参照,因而,更能发挥自己的想像空间,以此来建构属于自己的创作形式与审美体系。事实上,无参照的探索,一开始便很茫然,很大程度上犹如瞎子走路,稍有不慎,便会误入歧途。这样的创作经历大约持续了七八年时间,在这并不算短的时间里,在成堆的废纸 In the early 90s of last century, after a few years since I graduated from the Zhejiang Academy of Fine Arts, I have been creating my own works in a colorful way. Content is also limited to their own familiar “Jiangnan Water ” this theme. At that time, I thought it was hard to refer to the ancients’ texts in a colorful way to portray their well-known Jiangnan. Therefore, I could give full play to my imaginary space to construct my own creative forms and aesthetic systems. In fact, the exploration without reference started at a loss. To a large extent, it is like a blind walking and a slightest mistake, and it will go astray. This creative experience lasted about seven or eight years in this not too short period of time, in a pile of waste paper