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纵观中国书法史,每个历史时期都有不同的时代精神风貌,这种风貌的形成除了与当时哲学思想、社会变革、政治变革、文艺思潮、民族风尚等有着复杂的因缘关系之外,它还孕育于时代共同的审美观念之中,如汉魏尚质,晋人崇韵,唐人尊法,宋人师意。而明代书风以『态』为重。所谓『态』者,即势态也。明代崇尚帖学,都能在理法基础上作书,抒情写意,注重章法布局,追求一种势态之美。明代初期的书法,迎合
Throughout the history of Chinese calligraphy, each historical period has a different spirit of the times, this appearance in addition to the philosophical thought at the time, social change, political change, literary trends, national customs and other complex relationship with the kinship, it Also conceived in the era of the common aesthetic concept, such as the Han Wei Shang quality, Jin people worship, respect for the Tang people, Song teachers. The style of writing in the Ming dynasty, “state” as the most important. The so-called “state” who is the trend also. Advocacy of Ming scholarship, can make a book on the basis of law, lyrical freehand, pay attention to the layout of the law, the pursuit of a beauty of the situation. Early Ming Dynasty calligraphy, to meet