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从1823年起,李斯特有较长一个时期住在巴黎。那时他和雨果、巴尔扎克、缪塞、乔治·桑、仲马、海涅、德拉克洛瓦等著名艺术家交往。在这些艺术家中,恐怕雨果是他最知心的了。雨果在李斯特面前展现出一个绚丽多彩、丰满充实的世界,把李斯特的注意力引向英雄人物和新的生活方式中去了。他俩对社会充满了信心,他们认为:大自然不仅雄伟壮丽,更重要的是和谐;而人类生活则充满了苦难、呻吟、愤懑,充满了不和谐。他们喜爱鲜明的形象对比和斑斓的色彩。李斯特十三首交响诗中的第二首《塔索》,就是这样的作品。
Since 1823, Liszt has lived in Paris for a longer period of time. At that time he and Hugo, Balzac, Muce, George Sang, Mau, Heine, Delacroix and other famous artists. Of these artists, I am afraid Hugo is the most intimate of him. Hugo in front of Liszt showed a colorful, full and fulfilling world, to Liszt’s attention to the hero and a new way of life to go. They are full of confidence in society. They think: Nature is not only majestic, more importantly, harmony; human life is full of suffering, moaning, resentment, full of discord. They love vivid contrasts and gorgeous colors. The second “Tasso,” the second of Liszt’s symphonic poems, is such a work.