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每个演员在人物创造上都有自己不同的追求,我喜欢表演上的真挚、细腻、深沉和含蓄。在评剧《人生》中我扮演刘巧珍,为使这个秀美清丽、纯朴善良的农村姑娘在舞台上站起来,倘若采用卖弄虚饰,单纯机械性的外部表演技巧是绝不能奏效的。戏刚开场,巧珍来到村口等候她的意中人——高中毕业回乡当民办教师的高加林下班归来。我是这样表演的;在信天游委婉低回的歌声中,步态轻盈,心情舒畅地手挽竹篮跑步而上,深情地向远处眺望。有顷,微蹙双眉,流露一丝焦躁的心情,但又很快用怀情少女特有的羞赧替代了。之后,奔上高坡,痴情地朝着通往村外的大路停立遥望。
Each actor in the character creation has its own different pursuit, I like performing sincere, delicate, deep and subtle. In the Pingju “Life”, I played Liu Qiaozhen. In order to make this beautiful and pure and kind girl from the stage stand on stage, mere mechanics of external performance skills would not work. Just opened the play, Qiaozhen came to the village waiting for her ambassador - high school graduated from home when the private teacher Gao Jialin return from get off work. I was acting like this; in the song of gentle euphemism low back, the gait light, comfortable and comfortable running around the bamboo basket, affectionately to the distant view. There are, micro-Ying eyebrows, revealing a hint of anxiety, but soon replaced with the special shy girl. After running to the high slope, infatuated toward the road leading to the village parked in the distance.