南宋时期工笔画作为精致工妍、富丽典雅的院派画,历来遵循形神统一的神韵描绘与传达旨意,力图在描绘真实花鸟形态的同时表达事物精神内涵。即宗白华所说:“外取物之骨相形态,内表人格心灵”。纵观南宋时期工笔花鸟画,其神韵描绘与传达主要选用“以形写神”和“以神造形”两种技法,直至今日,该画种及神韵描绘与传达技法依旧被沿用。 Southern Song Dynasty strokes as a fine workmanship Yan, rich and elegant hospital painting, has always followed the shape and spirit of the unity of God to describe and convey his purpose, trying to describe the true shape of flowers and birds while expressing the spirit of things. That is, Zong Baihua said: “Extract the bones of phase morphology, inner personality psyche”. Throughout the Southern Song period, the finest calligraphy and painting, the charm of its description and convey the main selection “to describe God ” and “to God shape ” two techniques, until today, the painting and charm depicting and conveying techniques are still being used .