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当代北爱尔兰诗坛繁盛于上世纪60年代,在其政治动乱之时百葩争艳,出现了谢默斯·希尼、迈克·郎利、麦芙·麦克古肯与保罗·马尔登等一批出色的诗人。花木意象在他们的诗中或为主体,或为点缀,或寄托情思,或讽喻政治,或哀悼逝者,或感怀乡土。本文以此为切入点,尝试解读他们的诗歌创作,分析其植物书写所构建的文化景观,并由此振叶寻根,探求当代北爱尔兰诗学沿革的轨迹。
Contemporary Northern Ireland poetry flourished in the 60s of last century, when its political turmoil, hundreds of beautiful flowers, there have been Seymour Sini, Mike Langley, McFuck McGuicke and Paul Marden and a number of other Excellent poet The images of flowers and trees are either the main body, or embellishment, or affection, or allegory of politics, or mourn for the dead, or cherish the native land. This article takes this as the starting point, attempts to interpret their poetry creation, analyzes the cultural landscape which its plant writing constructs, and from this the leaf searches the root, seeks the trace of contemporary Northern Ireland poetics evolution.