陈应松:为何小说一直写农村而很少写城市?张廷竹:现在写小说与上世纪80年代感觉有何不同?我是甘肃天水读者李青山,多年来一直喜欢湖北作家陈应松的小说,像他的《马嘶岭血案》《松鸦为什么鸣叫》等神农架系列,到前不久获第六届《北京文学》奖的中篇小说《一个人的遭遇》,这些小说都关注底层百姓生活,敢于直面现实与人生,揭示错综复杂的社会矛盾,同时又散发着传统中国乡村的泥土气息。 Chen Yingsong: Why the novel has been written in rural areas and rarely write a city? Zhang Tingzhu: What is the difference between writing a novel and the 1980s? I am Gansu Tianshui reader Li Qingshan, who has enjoyed Hubei writer Chen Yingsong’s novels for years. Like his “horse The series of Shennongjia, such as ”The Neighbourhood Case“, ”Why the Jays Rumble“, etc., were recently hit by the novel ”One Man Encounters“ by the sixth ”Beijing Literary" Prize. All these novels are concerned with the life of the people at the bottom and dare to face the reality and life Revealing the intricacies of social conflicts while exuding the earthy atmosphere of traditional Chinese villages.