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芦笙是苗族文化的一种具象化符号表征,丰富多彩的芦笙音乐构建了苗家人的共同文化记忆,并维系着苗家人对“本我”文化的认同,它系苗族传统民俗之“附魅”。然而在全球化当代传播技术背景下,作为“地方性音乐知识”的雷山苗族芦笙音乐正遭遇前所未有的困境,并开始走向现代性“祛魅”的路途。这种“祛魅”具体指向了苗族芦笙的制作技艺、演奏技巧、民间曲调、演绎方式、社会功能与传承机制。
Lusheng is a figurative symbolic representation of the Miao culture. The rich and colorful Lusheng music builds the common cultural memory of the Miao people and maintains the Miao people’s recognition of the “I” culture. It is a part of the “ With charm ”. However, in the context of globalization of contemporary communication technology, Lushan Miao Music, as “local musical knowledge,” is encountering unprecedented difficulties and has begun to embark on the path of modernity and “disenchantment.” This “disenchantment” specifically points to the production techniques, playing skills, folk tunes, deductive ways, social functions and inheritance mechanisms of the Lusheng Miao.