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从1993年方力钧等艺术家在栗宪庭的带领下以《东方之路》为题亮相威尼斯双年展之后,“玩世现实主义”中慵懒、无聊的小民形象打破了西方世界对中国艺术刻板说教的一贯印象,并对之后中国艺术的发展产
After the artists such as Fang Lijun and other artists under the leadership of Li Xianting made their debut at the Venice Biennale in 1993 with the theme of “The Road to the East,” lazy and boring images of small people in “Cynical Realism” broke the Western art’s influence on Chinese art The consistent impressions of stereotypes and the subsequent development of Chinese art