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一九七九年的第五期《美术》杂志刊发了吴冠中的一篇题为《绘画的形式美》的文章,他在这篇文章中明确提出了“形式美”的口号;一九八○年又发表了《关于抽象美》的文章,写道:“抽象美是形式美的核心,人们对形式美和抽象美的喜爱是本能的。”1由此,吴冠中引发了学界关于形式美的大讨论。从当时所讨论的内容来看,此次讨论的焦点还是围绕着“为艺术的艺术”还是“为人生的艺术”的争论;可此次讨论却随着’85
The fifth issue of Fine Arts published in 1979 published an article by Wu Guanzhong titled “The Formal Beauty of Painting,” in which he explicitly put forth the slogan “formal beauty”; one In 1980, he published an article entitled “Abstract Beauty,” stating: “Abstract beauty is the core of formal beauty, and people’s instinct towards the love of formal beauty and abstract beauty.” 1 Thus, Wu Guanzhong led scholars to form Beautiful discussion. From the discussion at that time, the focus of this discussion is still on the controversy between “art for art” and “art for life”; however, the discussion with the ’85