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正如我们不能仅凭马克思著述中直接涉及“美”字的地方透析马克思的全部美学思想一样,马克思对于人类学的兴趣在他一生的理论探索中以不同的方式持续着的这一事实也应当引起我们足够的重视,并且要求以一种新的探讨方式对此加以把握。在关于人的思考中,马克思的美学与人类学之间具有深刻的联系,并且以其对于从纯粹意识演化而来的宏大叙事以及关于“他者”的意识形态想象的批判而与传统美学和人类学相区分,从而获得自身的规定性。马克思美学不在于解释“美”是什么,而是关于如何创造“美”的理论和实践,亦即一种革命的美学和人类学。因此,纵深发掘马克思的人类学思想及其美学意义对于我们在现代语境中更深入地发展马克思主义美学无疑具有重要的理论价值和实践意义。
Just as we can not dialysis all the Marxist aesthetics in places directly related to Marx’s writings, Marx’s interest in anthropology continues in different ways in the theoretical exploration of his life. We should pay enough attention to it and ask for it to be grasped in a new way. In his reflections on human beings, Marx has a profound relationship between aesthetics and anthropology, and with his criticisms and traditions of the grand narrative evolving from sheer consciousness and the ideological imagination about “the Other ” Aesthetics and anthropology distinguish, so as to obtain its own provisions. Marx’s aesthetics is not about explaining what “beauty” is, but about the theory and practice of how to create “beauty”, that is, a kind of revolutionary aesthetics and anthropology. Therefore, exploring Marxist anthropological thinking in depth and its aesthetic significance undoubtedly have important theoretical and practical significance for us to further develop Marxist aesthetics in the modern context.