论文部分内容阅读
音乐形态研究是民族音乐学研究的重要内容之一,而如何结合实地田野考察,以及相应的文化背景进行音乐分析和音乐学分析,则更为重要。本文以普兰店鼓乐为例,以笔者亲身到当地农村举行的婚礼、葬礼、庙会、城乡元宵节以及大型祭祖活动等民俗事象及其活跃其中的普兰店鼓乐进行的田野考察为基础,通过对辽宁省非物质文化遗产传承人刘家森本人的采访、调研和学习,对具体文化事象中的普兰店鼓乐之田野记录、整理和分析,结合相依托的民俗礼仪,剖析其音乐主体及其形态与民间礼仪生活的互动关系,通过对普兰店鼓乐的演奏形式,曲目以及曲牌的流变研究分析,阐述了鼓吹乐为适应新的社会环境而产生的变迁和发展及传承与保护。
The study of the form of music is one of the important contents of ethnomusicology research. It is even more important to analyze the music and musicology in combination with the fieldwork and the corresponding cultural background. This article takes Pulandian Drum Music as an example, based on the fieldwork conducted by the author personally to the local rural areas such as weddings, funerals, temple fairs, urban and rural Lantern Festival, and large-scale ancestral worship activities and Pulandian Drum Music, Liu Jiachen, an inheritor of the intangible cultural heritage in Liaoning Province, interviewed, researched and learned from my personal records, collation and analysis of the field of Pulandian drum music in specific cultural phenomena and analyzed the main body of music and its morphology And the interaction between folk etiquette and life through the research and analysis of the performance style, the repertoire and the song of Pulandian Drum Music, expounds the change, development, inheritance and protection of advocating music in order to adapt to the new social environment.