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近几年来,刘醒龙、何申、谈歌、关仁山等人以积极介入现实、关注农村和大中型企业基层生活以及人的基本生存状态的写作方式活跃在中国文坛上。这样,中国文学界出现了瞩目的“现实主义回流”现象,它已成为一种不争的文学事实了。尽管由于历史时间的缘故,我们“此刻”对于它的理解和评判显然存在着诸多困难,但是对于这种文学现象的关注却无疑是很有必要的。由此,本文拟从河北“三驾马车”的创作实践出发,对“现实主义同流”现象作出一定的文学判断,并在此基础上,揭示“现实主义回流”现象的文学意义。
In recent years, Liu Xinglong, He Shen, Tan Ge, Guan Renshan and others actively involved in the reality, pay attention to rural areas and large and medium-sized enterprises at the grass-roots level of life and the basic living conditions of the writing mode active in the Chinese literary world. In this way, the Chinese literary world has witnessed the phenomenon of “the return of realism”, which has become an indisputable literary fact. Although obviously there are many difficulties in understanding and judging it because of historical time, the concern with this literary phenomenon is undoubtedly necessary. Therefore, based on the practice of Hebei Troika, this paper attempts to make some literary judgments on the phenomenon of “the sameness of realism” and on this basis reveals the phenomenon of “realism return” Literary significance.