这其实是这部电影的不可替代之处,也凸显了今天中国的“全国化”所构成的具有巨大影响力的电影观众的梦想所在。在2012-2013年的这个冬季的贺岁档,《泰囧》变成了一个奇迹。它所创造的十亿以上的票房无疑喻示了中国电影观众和市场的重大的变化。这似乎是1997年《甲方乙方》开创了中国本土的贺岁片概念之后的一个重要的发展。这部电影的轰动效应其实显示了中国电影的自我创新能力,在《1942》和《少年派的奇幻漂流》的巨大的名家效应之中,这部电影异军突起,创造奇迹,显然体现了它自身的独特性。有人说这是由于档期合适,当然也有一定道理,但其实这个档期还是有不少重量级的电影,《泰 This is actually an irreplaceable part of the film and highlights the dream of a movie audience with great influence that China’s “nationalization” poses today. In the Lunar New Year stall of 2012-2013, “Thai 囧” has become a miracle. The billions of box-office it created undoubtedly symbolized major changes in Chinese moviegoers and markets. This seems to be an important development after “Party A and Party B” started the concept of New Year’s films in China in 1997. The sensational effect of this film actually shows the self-innovation capability of Chinese films. In the great mastership of “1942” and “the fantastic rafting of the youth faction”, this movie has emerged as a spectacular miracle and apparently embodied its own unique. Some people say this is due to the proper schedule, of course, there is some truth, but in fact this file still has a lot of heavyweight movies, "Thai