女性形象一直是画家们热衷表现的对象,长期以来一直占据着显要的被关注的地位。艺术创作中的女性形象,一方面展示了绘画艺术的审美倾向,另一方面也反映出时代、政治与经济的发展轨迹。不管是在西方的古典绘画,还是在东方的传统绘画中,女性形象都作为“被观赏”的艺术品,女性没有话语权,没有地位。随着女权运动的兴起,西方的女性开始投身到艺术领域,西方女权运动影响到中国后,中国的女艺术家也开始在思想意识上 Female images have always been the object of painters’ enthusiasm for performance and have long occupied a prominent spotlight. The female image in artistic creation shows on the one hand the aesthetic tendency of the art of painting and on the other hand, it reflects the development path of the times, politics and economy. No matter in the classical painting in the West or in the traditional painting in the East, the female images are all regarded as the art objects that are “viewed”. Women have no right to speak and no status. With the rise of the feminist movement, Western women began to plunge into the field of art. After the Western feminist movement affected China, Chinese female artists began to think in ideology