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1932年,时年33岁的摄影大师布拉赛在文章《潜在的摄影》中说道:“摄影是艺术的侵入者。”70多年过去,这个侵入者发展壮大成当代艺术中至关重要的一种表现方式,涌现出诸如布列松、亚当斯、阿巴斯、霍尔斯曼、奥特布里奇等一大批一流的摄影大师。而市场上,摄影艺术作品同样也以侵入者的姿态闯入,并屡创佳绩。理查德·普林斯的《牛仔》和阿尔福雷德的《无题》分别以124.8万美元和147.2万美元的价格成交。而2006年2月14日,纽约苏富比的一次拍卖会上,美国摄影家爱德华·斯泰肯1904年摄于长岛的≤池塘月光》更是以震惊世界的价格——290万美元成交。
In 1932, Brasssey, a 33-year-old photographer, said in his article “Potential Photography:” Photography is an Intruder for the Arts. "For more than 70 years, this intruder has flourished into contemporary art. A manifestation of the emergence of a large number of first-class master of photography such as Bresson, Adams, Abbas, Holman, Otterbridge. In the market, photographic works of art also break in with the attitude of intruders and hit record highs. Richard Prince’s Cowboys and Alfred’s Untitled were traded at $ 1,248,000 and $ 1,472,000, respectively. And on February 14, 2006, at an auction in Sotheby’s in New York City, American photographer Edward Steinkon ’s pond moonlight on Long Island taken in 1904 was even more shocked by the world price - $ 2.9 million.