西蒙·克里奇利(Simon Critchley),现任纽约社会研究新学院哲学系教授,约翰·乔纳斯荣誉教授,欧洲哲学论坛执行委员会创始委员、常任委员,曾任英国现象学学会主席,法兰克福大学哲学系研究员。克里奇利笔力雄健,个人学术专著二十本有余,部分著作已译成汉语、法语、德语、西班牙语、日语等多种语言。此外,他还是《卫报》的撰稿人,《纽约时报》大众哲学专栏《石头》的编辑,该专栏已经吸引了数百万的读者。克里奇利对美学和政治伦理学交叉领域的探讨在西方左翼理论家中独树一帜,他的《极少的,近乎无的》、《无尽的求索》、《无信仰者的信仰》等书在齐泽克与巴迪欧等左翼学者中引发了广泛的理论对话与争锋。文章围绕克里奇利教授“他律伦理”(heteronomous ethics)对其展开访谈,就悲剧剧场、爱、哀悼等具体的伦理情境展开探讨,克里奇利教授以其注重艺术、审美体验的研究视角,及其统筹政治伦理学与美学研究的跨学科研究范式,开出了当今西方学界从规范伦理学到情感伦理学转向的一种新思路,为我们提供了一种值得借鉴的新理论。 Simon Critchley is a professor of philosophy at the New York Institute of Social Studies, honorary professor of John Jonas, founding member and permanent member of the Executive Committee of the European Philosophy Forum, former chairman of the British Phenomenological Association, the University of Frankfurt PhD researcher. Clichyy works hard, more than 20 individual academic monographs, some of the works have been translated into Chinese, French, German, Spanish, Japanese and other languages. In addition, he is a contributor to The Guardian, an editor of The Stone, a New York Times popular philosophical column that has attracted millions of readers. Clichyy’s exploration of the cross-section of aesthetics and political ethics is unique among the western left-wing theorists. His books “Few, Nearly None,” “Endless Pursuit,” and “Belief of No Believers” Zerk and Badiou and other left-wing scholars led to a wide range of theoretical dialogue and contend. Based on Professor Clutchley’s “heteronomous ethics”, the article talks about specific ethical situations such as tragedy theater, love and mourning. With his emphasis on art, aesthetic experience , And its interdisciplinary research paradigm of political ethics and aesthetics research have opened up a new way of thinking for the western scholars from the normative ethics to emotional ethics nowadays and provided us a new theory.