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20世纪80年代初期,我在广东得到一册《李可染画论》。篇幅虽不太多,却每有精辟之论。例如,可染先生说到:“有人说,学中国画的学了素描有碍民族风格的发展。我不同意这样的看法。我画中国画已有几十年了,早年也学过一段素描。现在看来,我学的素描不是多了,而是太少了……假若我的素描修养能再高一些,对我的中国画创作会带来更大的好处。”在当时,能出画册以至理论专著非同寻常。这很可能是荟萃
In the early 1980s, I got a copy of Li Kelahua in Guangdong. Although not too much space, but each brilliant theory. For example, Mr. Yap said: “Some people say that learning how to draw a sketch in Chinese painting has hindered the development of ethnic style. I do not agree with this view. I have been painting Chinese paintings for decades and I also learned a few sketches in my early years. Now it seems that I did not learn a lot of sketches, but too little ... ... If my sketching can be a little higher, my Chinese painting will bring greater advantages. ”At that time, As well as extraordinary monographs. This is likely to be a meta-study