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从20世纪后半期到21世纪,美术界出现了各种主义、流派,呈百家争鸣之势。而且,随着20世纪末信息化社会的发展,这种多样化趋势日益明显。记得12年前我第一次访问中国中央美术学院的时候,中国对世界美术信息的了解还远远少于日本,但中国的学生们却毫不动摇,始终如一埋头钻研,这种精神让我感动不已。当时,我深深感觉到,如果说美术是建立在每个国家固有的传统、风土人情、社会生活的基础上的话,那么如此快速的信息传
From the latter half of the 20th century to the 21st century, all kinds of schools of thought and genres appeared in the art world, giving rise to a hundred contentions. Moreover, with the development of an information society at the end of the 20th century, this diversification trend has become increasingly evident. I remember when I first visited China Central Academy of Fine Arts 12 years ago, China knew far less about art information in the world than Japan. However, Chinese students remained unshaken and kept studying. This spirit made me Touched. At that time, I deeply felt that if art was based on the inherent traditions, customs, and social life of each country, then such a quick message