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我16岁时,才看到达·芬奇的名作《蒙娜莉莎》,在并不精美的印刷品中隐约感受到古典油画的气息;自那时起,我便对光影、体积敏感起来,直到在画布上摹仿、探索、研究与追问……。 此后,在我的创作中——也就是对古典绘画的求索中,头脑中始终萦绕着蒙娜莉莎那永恒的微笑,我常常注视着印刷品,企图在形、色、光、笔触中寻觅到那不同寻常的艺术奥秘。
When I was 16, I noticed Leonardo da Vinci’s masterpiece Mona Lisa, vaguely reminiscent of the classical oil painting in the subtle prints; since then I have been sensitive to light and volume until Imitation, exploration, research and questioning on canvas .... Since then, my eternal smiles in Mona Lisa’s mind have always been in my creation, that is, in the quest for classical painting, and I often look at prints in an attempt to find shape, color, light and brushwork That unusual art mystery.