流行歌曲作为贾樟柯电影中独特的签名方式,一方面承担起文献纪录功能,另一方面作为音乐蒙太奇的叙事技巧凸显于贾樟柯的电影实验中。考查贾樟柯电影中流行歌曲的运用,能更好地理解其纪实主义风格中的人道主义情怀,及其对电影真实观的认知,同时能更好地把握他的电影语言组织法则,以及在这一叙事秩序下的人物群像特征。 Pop songs, as a unique signature in Jia Zhangke ’s film, take on the function of documentary recording on the one hand, and narrative skills as musical montage on the other hand show in Jia Zhangke’ s movie experiment. Examining the use of popular songs in Jia Zhangke’s films, we can better understand the humanitarian sentiment in his realism style and his cognition of the true view of cinema, and at the same time better grasp the principles of his film language organization, A group of characters under the narrative order.