论文部分内容阅读
大草书法被学术界共识为最难最高境界的艺术。笔墨为其根本,线条载其灵魂,字构架其津梁,行间形式融合前三者为一体,与时空关系相向延展,构成作品别样技法美学样式。《古诗四帖》技法语言中的笔墨、线条、字构、行间形式与时空关系所具有的独特技法语言美学范式,与古朴厚重,豪放散逸的审美风格相合,成就草书法的千古绝唱。
The great calligraphy is recognized by the academic community as the most difficult and highest level of art. Pen and ink as its fundamental, the line contains its soul, the word structure of the beam, the first three lines of integration between the three forms as one, with the extension of the relationship between space and time, constitute a work of different aesthetic techniques. The unique aesthetics language aesthetics paradigm of pen and ink, lines, characters, inter-lineages and space-time relationships in the ancient Chinese calligraphy, “Four Verses of Ancient Verses” is consistent with the aesthetic style of simplicity, simplicity and liberty.