要求电影编导者多研究些‘观众学’,使自己的作品为最广大观众所喜闻乐见的呼声,已经听得很多了。当然。这都是很必要的。艺术家的作品如果观众不爱看、看不懂,还有何社会功能可言?但是,笔者以为也要想到另一面,就是:我们现在应该怎样做观众?乍一看,这似乎不能成为问题,买票进场看戏就得了。其实不然。严格地说,作为观念形态的艺术作品,总是通过读者或观众的个人感受最后完成的。 Much has been heard about asking cinemas to study more about ’audience learning’ and to make their work popular with the overwhelming majority of the audience. of course. This is all necessary. However, I think the other side is: what should we do now as an audience? At first glance, this does not seem to be a problem, Tickets come into play at the show. actually not. Strictly speaking, the work of art as a concept is always finished through the personal feelings of readers or spectators.