书法作为生命形象的一种体现,它是摄人心魂的,是充满力量和气势的,是人格魅力和自然气象的双重迸发。梁春先生的行草书,生机郁勃,气象万千,正是力与势高度结合。其深入学习“二王”、张芝、张旭、怀素、颜真卿、苏东坡、黄山谷、米芾、赵松雪、董其昌、王铎等人的经典作品,对其中的开合、向背、俯仰、疏密、奇正等诸多对比关系进行详尽的形式分析。观其作品,时而是坚硬的石头沉毅不动,时而是千年的古藤生命不屈,时而是奔腾河流势不可当,时而是高山瀑布一泻千 Calligraphy as a manifestation of the image of life, it is taken in the soul, is full of strength and momentum, is the charisma and natural beauty of the dual burst. Mr. Liang Chun’s cursive, vigorous, spectacular, it is a combination of strength and potential. Its in-depth study of the “two kings”, Zhang Zhi, Zhang Xu, Huai Su, Yan Zhenqing, Su Dongpo, Huang Shan Valley, Mi Fu, Zhao Songxue, Dong Qichang, Wang Duo and other classic works on the opening and closing, Pitch, density, odd and many other comparative analysis of a detailed form. View of their works, sometimes hard rock Shen Yi motionless, sometimes a thousand years Guntu life unyielding, sometimes the Pentium flow is not appropriate, sometimes a waterfall in the mountains plummeted