后朦胧诗人几乎普遍是持“语言中心论”的。无论是“口语化”等策略的提出 ,还是“前文化语言”等观念的实施 ,都视语言为诗歌的根本问题和归宿。但这种对语言的偏执和过度强调已经导致了对诗歌更本质方面的忽略和遗忘 ,使许多诗歌文本成为浅薄的语言游戏和“语感”训练。诗学领域的价值失范问题已被提出且日趋严峻 ,一种理论上的话语清理越来越必要、迫切。我们只有及时总结、纠正这些偏颇的观念、倾向 ,才有可能建构一门更科学、更完善的当代形态的新诗学 ,使中国诗歌在 2 1世纪重现辉煌 After the obscure poet almost universal “linguistic theory.” Regardless of “colloquial” and other strategies put forward, or “pre-cultural language” and other concepts of implementation, regard language as the fundamental problem and destination of poetry. However, this paranoid and overemphasized language has led to the neglect and forgetfulness of the more essential aspects of poetry, leaving many poetry texts to become superficial language games and “sense of language” training. The problem of losing value in the field of poetics has been put forward and becomes more and more serious. A theory of discourse cleaning is more and more necessary and urgent. Only by timely summarizing and correcting these biased concepts and tendencies will it be possible to construct a new science of science that is more scientific and complete in its contemporary form so that Chinese poetry will regain its glory in the 21st century