中国当代绘画历史上有一种特别的现象,就是一些早期研习西画的画家,后来都不约而同地转向中国书画,回到东方母体,如徐悲鸿、刘海粟、林凤眠……是归根意识,还是厚积为了薄发;是积健为雄,还是删繁就简,返朴归真。不过有一点是可以肯定的,即代表东方文化的中国书画博深、浩瀚、内涵、拨俗,对于中国的艺术家来说是有着深深的吸引力的。 A special phenomenon in the history of Chinese contemporary painting is that some early Western painters studied Chinese calligraphy and painting and returned to the oriental motifs such as Xu Beihong, Liu Haisu and Lin Fengmian ...... They are the root of their minds, Fat; Ji Jian is the male, or to delete the simple, back to basics. However, one thing is certain: the profound, expansive and secular Chinese painting and calligraphy representing the oriental culture is deeply attractive to Chinese artists.