经学、史学、诗学等国学的全面失落,导致了中国画传统中本质精神的全线崩溃。百年前无法想象,中国画从体现人格与心灵的抒情笔墨、体现诗性和禅意的空灵境界转化为以理性认知再现的客观物象、以几何秩序构建的结构性造型和物理化空间。不管是赞赏还是藐视,谁都承认:中国画从文人画的消极遁世转向积极入世,借用了西学的“现实主义”法宝,即以再现性的写实 The complete loss of Confucian classics, such as Confucian classics, historiography and poetics, led to the collapse of the essence of the traditional Chinese painting. A hundred years ago it was inconceivable that Chinese painting turned from the lyrical expressions of personality and soul, the empty realm that reflects poetic and Zen, into the objective image reproduced with rational cognition and the structural styling and physical space constructed in geometric order. Whether it is appreciation or contempt, no one admits that the Chinese painting has shifted from the passive recluse of literati painting to the active entrance into the WTO, borrowing the magic of “realism” of Western learning, that is,