佛眼《金瓶梅》采取了佛道的框架结构,无善无恶的观念随处弥漫,在一定程度上,疏松了是非和道德判断。《金瓶梅》中的人物呈现出一种明显的“向下运动”的迹象,实际上《金瓶梅》中的人物,主要是在其动物性的一面(欲望的一面)展开的,这些人物一旦被褪去了名利和道德的外衣,即迅速地滑向了动物性的生存,变成了与草木同朽的“众生”。在这种“向下运动”的轨迹中,我们很容易发现并捕 The Buddha’s Eye “Golden Lotus” adopts the framework of Buddhism and Taoism, and the concept of perverseness is pervasive. To a certain extent, the non-moral judgment is loosened. The characters in “Jin Ping Mei” show a clear sign of “downward movement”. In fact, the characters in “Jin Ping Mei” are mainly developed on the animal side (the side of desire). Once these characters Faded away from fame and morality coat, that is, sliding rapidly into the animal’s existence, has become the same with the vegetation “beings.” In this “down motion ” trajectory, we can easily find and catch