浙江是雕刻之乡,在浙江数十种雕刻品种中,东阳木雕、青田石雕、黄杨木雕(简称浙江三雕)又是以其影响最大、成就最高,民族文化色彩和地方特色最为浓烈而名扬海内外。但是近年来,在国内工艺美术行业不景气的大气候下,“三雕”也面临着严峻的挑战。传统“三雕”行业在经济上受到新兴产业的巨大冲业,在经营与管理机制上面临着转轨的种种阵痛,创作水平也因此有所下降,生产、经营格局由于转轨的动荡,而或多或少的都出现一些“小、散、弱、乱”的现象。如何在即将到来的新世纪里使“三雕”适应现代社会要求,保持生存与发展的活 Zhejiang is a hometown of sculpture. Among the dozens of carving varieties in Zhejiang, Dongyang wood carving, Qingtian stone carving, and Boxwood wood carving (also referred to as Zhejiang Three Carvings) are also famous for their strongest influence, highest achievement, and the strongest ethnic and cultural features and local characteristics At home and abroad. However, in recent years, under the climate of sluggish domestic arts and crafts industry, the “Three Carves” are also facing severe challenges. The traditional industries of “three carvings” are economically affected by the huge influx of industries in emerging industries and are faced with various kinds of painstaking changes in their management and operation mechanisms. As a result, the level of their creative work has declined. As a result, the pattern of production and operation has been shaken by the transition to turmoil, More or less there are some “small, scattered, weak, chaotic ” phenomenon. How to adapt the “Three Carves” to the requirements of modern society and maintain the survival and development in the coming new century?