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他是中国古代陶瓷三彩艺术的传承者和忠实信徒;又是古代三彩艺术的背叛者、改造者。他是中国乃至世界陶瓷美术史的颠覆者、解构者;他又是陶瓷美术史的建构者。他将“唐三彩”艺术以“洛阳三彩”的名义拯救和解脱出来;他又以“洛阳三彩”的名义华丽转身,重建成一个最具覆盖性的陶瓷美学色彩体系和文化艺术新框架。他是“洛阳三彩”艺术的创烧者;他又是“洛阳三彩”历史、理论概念的首创者、打造者;甚至于他继续突围,开创“入窑一色、出窑万彩”的“写意三彩”新
He is the successor and loyal follower of the ancient Chinese three-color ceramic art and the traitor and remodeler of the ancient three-color art. He is the disruptor and deconstructor of the history of ceramic art in China and even the world. He is also the builder of the history of ceramic art. He rescued and freed the art of “Tang San Cai” in the name of “Luoyang San Cai”. He turned again in the name of “Luoyang San Cai” into one of the most covering ceramic aesthetic systems And the new framework of arts and culture. He is the founder of the art of Luoyang San Cai. He is also the founder and creator of the historical and theoretical concepts of “Luoyang San Cai”. Even as he continues to break through and creates “ Kiln million color ”“ Freehand three color ”new