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引言近年来在国内不断听到旅美中国青年作曲家梁雷的音乐新作和关于音乐创作的论述,常常为他那新颖而蕴含着深刻内涵的音乐语言、独到而给人以启示的思想表达所感染和触动。最近,笔者又聆听了他为中音萨克斯与管弦乐队创作的协奏曲《潇湘》,更是被该曲音乐语言所刻画那种深刻的人性力量所震撼。本文正是由此感而发,试图通过对作曲家创作意图和创作手法的分析,解读该作品所充满的一种令人震撼
Introduction In recent years, I have heard many new works of music from the young Chinese music composer Liang Lei of the United States in recent years in China and my dissertations on the creation of music. I often give his new and implicit meaning of musical language, unique and inspirational expression Infected and touched. Recently, I listened to the concerto “Xiaoxiang” which he created for the alto saxophone and the orchestra. It was even more shocked by the profound humanity character portrayed by the music language. This article is just a result of this sense, trying to analyze the composer’s intention of creation and creative techniques, interpretation of the work is full of a shocking