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主题的新作展成功举办,此次展览呈现了您近期创作的7幅油画及31幅素描作品。策展人黄笃认为,“折叠的图像呈现了不确定性相遇所产生的可能性——暗喻着经典对当代、东方对西方、过去对现在、面对面、目光对目光的相遇、交汇、对比、对话和交流”。您是否认同这种观点?您新近作品依旧是肖像画创作,乍一看还是沿用了惯常的古典主义写实方法,但细细品读之后会发现,对于经典图像的挪用与重置建构出一种新型的语言关系,“古典”的呈现、解读得以延展、再生,带给观者更多的思考、想象。能否以您近期的作品《委拉斯贵兹的客厅》为例,向我们解析下您创作这批作品的一些想法和观点?
The theme of the new exhibition was successfully held, the exhibition presents your recent creation of seven paintings and 31 sketch works. Curator Huang Du believes that “the folded image presents the possibility of the encounter of uncertainty - a metaphor of the classic encounter of contemporary, oriental versus western, past-present, face-to-face, gaze and gaze, and contrasts , Dialogue and exchange. ” Do you agree with this view? Your recent works are still portraits, at first glance, or follow the usual classical realism, but after reading carefully, you will find that the classic image of the appropriation and reset to build a new type of Language relations, “Classical ” presentation, interpretation can be extended, renewable, giving viewers more thought and imagination. Can you use the recent work “Velasquez’s Living Room” as an example to analyze some of your ideas and opinions on the creation of these works?