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从文学观念出发来考察中国古代作家艺术人格的主要模式,大致可分为三种:一种是温柔敦厚型,作为一种艺术人格的模式,它居于主导地位,这类作家进入创作时普遍具有一种对社会人生作褒贬的欲求,进入创作时普遍重视对文本社会意义的构想。一种是不平则鸣型,这类作家敢于坚持“发愤著书”和“不平则鸣”的精神,有着相对稳定的创作意向,在造境、构象时追求一种震撼人心的艺术力量。一种是适己任性型,这类作家注重的是个人的自由,他们不求奉献,极少考虑到文学的社会功能,其心理状态基本上是追求心与性一、心与物一和心与手一。
The main modes of investigating the artistic personality of ancient Chinese writers from the perspective of literature can be broadly divided into three types: one is gentleness and dignity, which is the mode of artistic personality and dominates. Such writers generally have A kind of desire to criticize and deny the social life, and generally emphasize the conception of the social significance of the text when entering into creation. One is the injustice, the other is the Ming style. Such writers dare to adhere to the spirit of “angry writing” and “unequivocacy,” and have a relatively steady creative intention to pursue a heart-stirring Artistic power One is the self-adaptive type, such writers focus on personal freedom, they do not seek dedication, rarely consider the social function of literature, the psychological state is basically the pursuit of a heart and a heart and a heart With hand one.