论文部分内容阅读
临夏砖雕是明清时期从中国内地移植到西北河湟地区的民间艺术形式,由于其中阿合璧的文化气息,素有“回族砖雕”之称。砖雕在西北民族地区的高度发展与多民族文化互融共生的背景有深刻的关联。从临夏砖雕的文化变迁史可以看到,一种艺术形式的产生与发展时常超越文本的规约,是多元的文化基因在特定的文化语境中交流、变异并自适应发展的结果,也是多民族共创的文化成果,其承载的丰富的文化记忆体现了非物质文化遗产的深层价值。
Linxia brick carving is a folk art form that was transplanted from the hinterland of China to the HeBei area in northwestern China during the Ming and Qing Dynasties. Because of its cultural atmosphere, it is known as the “Hui brick”. The great development of brick carving in the northwestern ethnic areas has a profound connection with the background of multi-ethnic culture. It can be seen from the history of Linxia brick carving that the appearance and development of an art form often go beyond the textual conventions and result from the exchange, variation and adaptive development of diverse cultural genes in a given cultural context The cultural achievements created by the nation and its rich cultural memory embody the deep value of the intangible cultural heritage.