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以往对艾丽斯·默多克的研究都关注于其后现代写作立场,即对世界的偶在状态的揭示。但实际上,作家在对世界偶然性的再现过程中加入了她对如何解除这种状态的思考。因此,本文首先探讨默多克《黑王子》中关于世界偶然性约观点,阐明了失去信仰、本质退场的时代世界的存在状态。进而又探讨了生活于偶在世界中的个体对这种偶在性的察觉,以及主人公试图摆脱恐惧心理所进行的尝试以及种种尝试的无效性。最后。本文论证了作品中“厄洛斯”这一意象的拯救意味,它将神与人、两性之间连接起来,使个体与外界、与他者建立实质的沟通,从而寻回本质,最终走向至善。
Previous studies of Alice Murdoch focus on its postmodern writing position, that is, revealing the occasional state of the world. In fact, however, the writer added her reflections on how to relieve this state in the reproduction of the world’s contingency. Therefore, this article first discusses Murdoch’s “Black Prince” about the world’s contingency point of view, clarifies the loss of faith, essentially exiting the era of the existence of the world. Then it explores the awareness of this evenness by the individuals living in the world and the attempts by the protagonists to try to get rid of fear and the ineffectiveness of various attempts. At last. This article demonstrates the salvation of the “Eros” image in the work. It connects the gods and people and the sexes so that the individual can establish substantive communication with the outside world and the other person so as to retrieve the essence and finally the direction Best.