论文部分内容阅读
听觉也是音乐艺术里需要培养的一种反应能力,钢琴演奏者要获得对音乐的听与知的感觉,这是从感性上对音乐的理解与认知。表演者借助某个媒介,将音乐的内涵以及对乐曲的体验以演奏的方式表现出来,这种表现形式凝聚了演奏者对乐曲的分析,在此之前应该掌握音乐的产生背景,聆听和分析创作者的思维过程,才能对作品有更深的情感,让音乐所特有的非具象形式表现得淋漓尽致。这就对作品产生了思维的过程。但是,在实际练习和演奏过程中,演奏者的脑海中的音乐思维已经对演奏作品产生了重要的作用。
Hearing is also a kind of reaction ability that needs to be cultivated in the art of music. Piano players need to acquire the feeling of listening and knowing music. This is the perceptual understanding and recognition of music. Using a medium, performers present the connotation of the music and the way in which the experience of the music is played in such a way as to condense the performer’s analysis of the music before mastery of the musical background, listening and analysis The process of thinking in order to have a deeper emotional works, so that the unique music of the non-concrete form of expression most vividly. This creates a process of thinking about the work. However, in actual practice and performance, musical thinking in the player’s mind has played an important role in the performance of the work.