在父权文化象征体系下,女性身体始终是男性情感和欲望的载体,而非女性主体的一部分。为强调主体性,女性主义作家趋向于掩藏身体而追随男子气概的偶像。对身体的逃避意味着对自然属性的逃避。作为女性主义诗人,普拉斯同样面对男性头脑与女性自然的悖论。在《晨歌》中,诗人戴着男性人格面具,试图排斥母亲的身份和女婴的肉体,但最终母性打碎了男性人格面具,开始吟唱对新生儿的赞歌。 Under the symbolic system of patriarchal culture, the female body has always been a carrier of male emotions and desires, not a part of female subjects. To emphasize subjectivity, feminist writers tend to hide their bodies and follow masculine idols. Escaping the body means avoiding the natural attributes. As a feminist poet, Plass also faces the paradox of male and female nature. In “Morning Song”, the poet wore a male personality mask in an attempt to exclude his mother’s identity and baby girl’s body, but in the end her mother broke the masculine personality mask and started to sing the hymn to the newborn.